The scanning, conforming, color correcting, and filming out of feature length reels in lieu of the traditional intermediate process.

• Quantel IQ Pablo with Genetic Engineering
  
• 2K/4K realtime playback capability
• Color grade, reposition, assemble, composite, and manipulate
  
• Color-Calibrated 2K DLP digital projector with inline 3D lookup table 
• Auto-Conform via DPX header to match offline edit edl

Ideal For:

• Feature-length projects with requirements of a specialty look, multiple effects, anamorphic conversions, 16mm to 35mm blowups, or standard requirements that require flexibility
• Portions of features with specialized look
• Domestic and International trailers with wide release and multiple original negatives
• Short Films, music videos, and commercials for theatrical release
• 3-D Digital Intermediate Projects
  

Other Digital Intermediates:

• Use Spirit or Millennium Datacine and Telecine for HD digital intermediate workflow
• Scan to HdCAM 4:4:4 for maximum tape-to-tape color correction dynamic range
• Finish with HD and D-Cinema Master for film festival and test screening use before commiting to negative filmout

Contact: The Digital Film Services dept at (818)846-3101